I’m Rojin, a passionate artist and designer with a Graphic Design diploma. I am currently pursuing my Bachelor's at OCAD University, majoring in Advertising with a minor in Photography. I was born to create! Art has always been my way of connecting with the world. Whether it’s through developing innovative ideas or exploring the endless possibilities of creative expression, I believe art is a universal language that can communicate anything. When I’m not immersed in my work, you’ll often find me inspired by nature, where I develop ideas that bridge the gap between human experience and the outside world. My goal is to continually discover new ways to approach creativity and unlock the potential in everything around me.
50%
Documentary video, book publication, 2025
In this documentary, I portrayed a problem that goes beyond Iran’s internal issues. Aware that the more vulnerable segments of Iranian society are suffering, I chose to focus on a group that is more privileged in terms of economic and geographical conditions. I assumed the viewer is already well aware of Iran’s situation and its broader societal problems, which allowed me to depict another segment of the migrant community and show that all—and I emphasize “all”—Iranians suffer from the destruction of their homeland. My final project will include 5 documentaries, each around 4-8 minutes. A Program Booklet will also be included in the display, which the audience can interact with and read statements related to the topic. It wasn’t hard. It wasn’t hard at all. Getting my friends and those around me to say these things wasn’t hard at all. There wasn’t even a need to convince them. 80% of the time, it’s the only thing we talk about. I didn’t have to think about how to extract these words from the people around me — not at all! All I had to do was turn on my camera and leave it in a corner for 30 minutes. This work doesn't offer anything innovative. It doesn’t present a new topic or reveal a new truth. This piece is simply a reminder of the emotions felt by the people around us — maybe those close to us, or those far away. It merely brings a reality back to your attention. Tracing the roots of this pain (sorrow, distance, and loneliness caused by migration) is complex and difficult. It could stem from economic, political, or geographical factors. I don’t intend to delve into the causes and origins of this sorrow. I am an artist; surely economists, politicians, psychologists, and even social workers are more qualified than I am to speak on this subject. I simply waited, documented, and gathered. After all, these issues are undeniable. All of us Iranians, with an awareness of the roots of this pain, are living in a country far from our homeland.
